About an hour into that, pouring sweat, he stops cold and says "what the hell am I doing?" The flooded camp was actually nice on a hot day and all we really had to do was move a couple of tents. He dropped the shovel and spent the rest of the week sunbathing, fishing, snorkeling and water skiing as God intended. He flipped a switch and went from Hyde to Jekyll on vacation. I've had to emulate that a few times.

Many years ago, I had a technical manager who never felt any pressure to be the first to come up with the answer to a question or the solution to some problem. If I was having a technical conversation with him, and we arrived at a particularly subtle or complex issue, he could go completely silent, just staring straight ahead with his fingers to his lips. I would find it very uncomfortable, and I would start blurting out half-baked ideas to fill the silence, but he would either raise his finger or (usually) just ignore me. This could go on for 30-60 seconds, at which point he might shrug and say "I don't know" or, more likely, have a pretty well formed idea of how to move ahead.

I used to joke to my co-workers that during those silent interludes, he was swapping in the solution from a remote disk.

This manager also typed with one or two fingers, and pretty slowly too. But he wrote a lot of good code.

I have always had the intuition about reading speed that it is very easy to be a speed reader if you skim over things. I've always questioned how much of speed reading is just skipping stuff and filtering for the most important word tokens.

You could skip all of Tolkien's scenery descriptions, you could skip Tom Bombadil and Lothlorien and still know basically what happened to Frodo and where he's going. But that's not really the point. When I read a book of that much importance, I've always read every word and understood every sentence. I get easily distracted and often have to reread passages. I am not a fast reader. Tolkien's descriptions are not always that easy. But this is what I find so rewarding about reading in the first place.

However, when I'm reading an article online, the difference is stark. When I read articles, I usually start from the bottom and read backwards. That's my way of finding out the results, and then piecing together how much context I actually need to understand it. Maybe I should slow that down sometimes.

As always, there are tradeoffs, and you can't walk everywhere or always have these types of mindful experiences. On the other hand, life is short and perhaps paradoxically, slower experiences can yield richer days.

There was a man who was afraid of his shadow and disliked his footprints. So he tried to get away from them. He ran, but the faster he ran, the more numerous his footprints became, and his shadow kept up with him without lagging behind. Thinking he was going too slowly, he ran faster and faster, until he collapsed and died of exhaustion. He did not realize that if he had simply stayed in the shade, his shadow would have disappeared, and if he had sat still, there would have been no footprints.

And another one [0]:

My hut lies in the middle of a dense forest; Every year the green ivy grows longer. No news of the affairs of men, Only the occasional song of a woodcutter. The sun shines and I mend my robe; When the moon comes out I read Buddhist poems. I have nothing to report, my friends. If you want to find the meaning, stop chasing after so many things.

[0] https://firstknownwhenlost.blogspot.com/2011/06/stop-chasing...

And similar to the point OP made, you get more out of it when you attend more closely. And similarly, most music does not withstand this level of scrutiny.

This post resonates strongly with me. I strongly believe the default settings _are_ too high, and it takes conscious effort to slow down while bound to the shackles of modern society, but it's so worth it.

In fact, I noticed that whenever a book becomes most exciting, I start reading especially fast (to the point of skipping words), because I want to know what happens next. So I spend the least time with the best parts of the best books.

Ever since I realized that, I have switched pretty much exclusively to audiobooks. I don't really know if it's faster or slower overall, but it's a predetermined pace, and that works better for me.

Sadly, for some reason I now can't read slowly, which pisses me off. I and my partner read aloud together alternating chapters of a chosen book, and I love how get _much_ more out of the book than I would reading alone in a tenth of the time.

I've also found that some books seem written to be read aloud: the sentence structure and punctuation lends itself to easy reading aloud, whereas some books have really convoluted sentences with multiple parenthetical sub-clauses that are a real challenge to read aloud in an a way that's easy to follow. I've ended up so that normally try to write in a way that's easy to read aloud. I think if something's easy to read aloud it's going to be easy to comprehend when read normally. And Yes, I know that the sentence at the beginning of the paragraph probably doesn't match that.

0: (https://www.merriam-webster.com/dictionary/festina%20lente)

The title failed to inspire but I heard it was worth the read and stepped through line by line.

It hit with a depth that I know with complete certainty I would not have gotten if I worked through at my usual pace or took it in as an audiobook.

Nassim Taleb’s books are also favorite slow reads of mine.

All this said, I collect books faster than I can read them so there’s always a feeling somewhere that I should be pushing through a little faster.

Ah well, in the end I think that really comprehending a handful of quality books is about as good as a shallow comprehension of many more.

There are words you don't know or know how to use them properly. It will help you learn the second language better, while also helping you to not gloss over whole passages.

This worked for me... for a time. And then what happened surprised me (but maybe shouldn't have): I started zoning out and thinking about other things, missing important details, while reading aloud. Wild that we can even do that.

I wonder if this contributes to a good chunk of the experience of fine dining. When you get served expensive food in micro-portions that are accompanied by long explanations, you don't gobble it down but take as much time as possible to savour it.

So the main learning is to be aware of the speed settings, and then consider putting ourselves in situations where we can alter them. Faster or slower isn't better in a vacuum. Expermiment and find what's right for you, or, in communication, for your audience.

This is true for Tolkien, Turgenev, Hemingway or Pound. The amount of information per page—per word!—is incredibly high, which permits the conveyance of ideas which simply do not land when spoken more plainly.

You don’t need to go to high literature to find this density, by the way. Political speeches from Republican Rome and America’s Founders have a similar aspect to them.

    It might sound like I’m just offering clichés – less is more, stop and smell the roses, take your time – and I guess I am. But clichés suffer the same issue: they are often profound insights, consumed and passed on too rapidly for their real meaning to register anymore. You really should stop and smell roses, as you know if you’re in the habit of doing that.

If I recall correctly the question was something like:

You are sitting recording cars by their license plate as they drive down a road. You only have N spots on your worksheet. You can overwrite spots as many times as you need to. By the end of the day you must have an unbiased sampling of cars that have driven by you. How do you record the cars?

  > he might shrug and say "I don't know"

  > I would start blurting out half-baked ideas to fill the silence

  > This manager also typed with one or two fingers, and pretty slowly too. But he wrote a lot of good code.

Personally I find it a bad habit of mine, I have no idea how people gracefully take time to think. Whenever I do say something like “hold on, let me just think for a moment” my brain completely freezes and I get no thinking done.

His manager was used to this and sort of enjoyed the mystique of this monk-like expert that he was responsible for.

I once was in a meeting where we had to talk to the great expert on the phone. Let's just say his name was Otto. Of course, he worked remote quite often, in the days before Zoom. His manager calls him and puts the phone on speakerphone for the room to hear.

Manager: Otto, we need your input on <long technical problem>.

<60 seconds of silence>

Otto: Yes, I think that might work, but you'll run into <other problems>.

Manager: Well, yes, we've considered that, but <explanation>

A few minutes of reasonably normal conversation ensues between the assembled group and Otto. Then:

Manager: Well, I think then that this is a pretty good solution, as long as Otto agrees.

Manager looks around the table, clearly waiting for Otto's concurrence

<60 seconds of silence>

<90 seconds of silence>

<120 seconds of silence>

People are starting to get uncomfortable. The manager makes a reassuring face. This is normal for those of us that work closely with the great expert, do not lose faith.

<240 seconds of silence>

Manager briefly lets slip a concerned look, then quickly hides it

<360 seconds of silence>

Manager: Um, Otto?

Otto: Oh, I thought I was waiting for you.

The title, about "default settings" being "too high" makes me want an example from a technical domain, though.

Imagine if Tolkien was writing Fellowship last decade, and the book landed on your hands today. No decades of cult growing, no adaptations or explosive marketing, some word of mouth. Would you think it "much important" before reading it? What makes the importance?

In my opinion it's the prose. It's always the prose. Always gotta be on the lookout for good writers, new and old.

> "I took a speed-reading course and read War and Peace in twenty minutes. It involves Russia."

There is no value in doing it for modern clickbait or AI slop though.

I find that a lot of journalists like to pack their writing with fluff before they even reach the subject of the headline, a lot like recipe blogs sharing their life stories before finally reaching the instructions, as if the recipe is only secondary or tertiary to the background given.

This is why I appreciate articles that include bullet points or a TL;DR right at the beginning to summarize. For anything really long that I'm just not interested in reading fully and only want the main points, I use an LLM with the URL to summarize briefly.

While there's so much value in slowing down as the OP wrote, I feel as if journalists want you to lend the same pace to them for all the time of ours they waste. It's like they forget how much information is available to us and how unimportant it all is.

The first time I did this was the breath of the wild zelda game, I got to the point in the tutorial where they teach you to fast travel and said, "no I don't want to" so I spent the whole game slow traveling around, planing my trips enjoying the scenery finding new routes , Just bumming back and forth across the map enjoying the game and all it's corners in small slices each night, it took me a couple months to get complete and it was great.

My current phase of this madness is Valheim with no portals and no map. and wow it is an experience. With no map you get this hyper distorted view of the landscape the other way around, it is still based on what you can navigate easily but stuff like shorelines and terrain features are over represented and forests are these scary black boxes. Fog is very very scary, more than once fog has rolled in and I got so lost that I have had to say "well I guess I am living here now." I am currently having fun trying to figure out how to use the in game tools as surveying instruments to make my own hand drawn maps.

I used to fly fairly regularly between Germany and Italy. I'd get on a plane in Munich and get off in Florence, going from a very "German" place to a very "Italian" place. A few years ago I started driving the route, and I was surprised just how much gradation there is between the cultures.

As an American, I always thought of "Italians" and "Germans" as very distinct cultures, but then you drive through Südtirol (or Alto Adige, if you're feeling Italian, the northern most province of Italy) and it feels quite Germanic. Then gradually, as you continue south, you hear more Italian, see more Italianate architecture and place names. Similar story for Alsace between France and Germany.

Of course none of this is all that surprising knowing the history of these areas, but it is very interesting to experience in-person.

I'm sure most places and cultures are like this, even when we think of of them as quite distinct. When you only fly between major cities, you lose so much of the wonderful overlap.

Something to break the teleportation is obviously to make breaks and enjoy where you are (a lake not too far on the road, any viewpoint...). Plan in advance, have a tent, be ready to not reach your target in one day and you will enjoy a much better a road trip than a train, a plane or even the highway.

[0] https://old.reddit.com/r/tolkienfans/comments/100n0y/maybe_t...

I have some excellent garage band CDs that probably have two or three copies still in the wild at most. Unfortunately sometimes the 25 year old burned CDs are missing the TOC data, but even the recovery process is satisfying.

(Same with the DVD collections.)

I listen to a lot of music on the side, but Chris Boltendahl of Grave Digger said something that stuck with me. Btw, Grave Digger are not making Heavy Metal inspired by Heavy Metal, they were there making Heavy Metal in the 80s :)

Paraphrasing: With all of the streaming, and easy access to music, music has turned into a fast food. Eaten on the side, but rarely really fully appreciated this day.

And for new albums of bands I follow (or if I want to have a good time), I do exactly that: If the weather permits, get a hammock, a good drink, the good headphones (yes, I have several levels of quality of headphones), and just look at the sun, the trees and the magpies while listening to the music. Improving my own guitar skills has only deepened this appreciation.

> Sitting at a live concert (I am thinking classical) is up there too, because you've given yourself permission to not think of/work on anything else in that time

At least in Metal and to me, concerts are a different beast than the record. The record is usually the best and most perfect take of a song, often with additional effects, better mix. If you want to hear to the best version of a song, it's usually from the record.

Concerts are a party. It's always amusing how different concert cultures are there -- I know of some people who complain that they "can't hear the singer over someone next to them shouting". That's kind of the point of a live celebration of the band at the music in my world.

I noticed similar effects when "locking in" in games or sports. Time gets slower.

So when you slow down, you start to pay more attention. But if you pay more attention, the world itself will slow down. And the music would be slowed

As promising as Fellowship was, the films just kept going down hill—one after the other.

As the girls were growing up we worked through all the Harry Potter books, a half-dozen of the "colored Fairy" books (edited by Andrew Lang), plenty of Uncle Remus tales, the "Little House" books and a number of Sid Fleischman books…

Those were magical years. Only when homework arrived did the reading hour finally come to a close. :-(

I've recently started the Letters too, and can thoroughly recommend it. It's fascinating and oddly cosy to get a direct tap into a mind you know so well at second hand, through its fiction.

However now he has started to write stories about dragons and things, and that's a pretty interesting development.

I don't know how long they'll let me keep doing it for, but I don't see any reason to stop

Now in the UK all we get are monotonous robots or people who have clearly had intensive coaching in how to speak in a clear. Decisive. Direct. Way, to inspire confidence and project competence. The two qualities entirely absent in most of our politicians.

The less said about the other side of the pond the better.