On social reality in China(lesswrong.com) |
On social reality in China(lesswrong.com) |
It's fine, of course, to disagree; we just want conversation to stay in the key of curiosity: https://news.ycombinator.com/newsguidelines.html.
All the authors observations ring true, and they all stem from one simple fact: China was a very poor country just forty years ago, and even today is only a middle income country.
The uncomfortable truth is a lot of the things westerners take for granted are, in fact, luxuries. Arts and creativity is a luxury. Freedom to pursue passion is a luxury. Compassion is a luxury. Self-esteem is a luxury. If you barely have enough food to feed your family, as a significant number of Chinese people were in the 60s and 70s, you cannot afford any of these.
China has grown richer at a remarkable rate, but the mentality shift can take generations.
This entire century of media has been an endless splitting of hairs and casting of doubts.
- Nationalism stemming from insecurity (I tend to notice the poorest, most desperate tend to be the proudest)
- "social death" - Is that not so different that being canceled or fear of being canceled? To me it seems very apparent that people who get ostracized on the national stage take a huge personal toll and have their personality changed for years.
- Also for the Dark World example he uses a Peter Thiel quote. I think optimism/trust/community is lower here now that a few decades ago. But I do agree that in tech jobs I've anecdotally seen more cutthroat approaches (e.g. refusing to share knowledge with a coworker) from other cultures more often.
Of course that may just be me projecting my own perspective onto them, but I did get the feeling that there is a performative aspect to the culture described in this article, and that whatever lies underneath it is likely, as in so many places, not really accessible to anyone who was not born and raised in a place.
No, most good characters in those books are chinese. I liked technical aspects of the book a lot, but on societal level there was quite a bit xenophobia up to including racism against white people.
Still interesting, maybe something akin to picking up some pulp novel from 1920s that had other races in stereotypical cartoon evil roles. Not something pleasant to read in 21st century for anybody with more modern values (where average typical Chinese stand on this I leave to them here, no idea).
Dead posts are removed from public view, but you can still see them by turning the 'showdead' setting on in your profile. This is in the FAQ: https://news.ycombinator.com/newsfaq.html.
If you turn 'showdead' on, please don't forget that you did! As your last sentence implies, turning it on means signing up to see a ton of dreck. (https://hn.algolia.com/?dateRange=all&page=0&prefix=true&que...).
You'll also see posts that don't deserve to be [dead] and for that we have something called vouching - also in the FAQ at https://news.ycombinator.com/newsfaq.html ("What does [dead] mean?")
This is largely correct across cultures.
“Trust is a luxury I can’t afford.” - Cormega
Your best friends will screw you over for fun.
Your friendly boss will lie to your face.
Family members have no issue with ripping each other off once money is on the line.
How many probate attorneys eat well because siblings need to sue each other ?
I don’t even think it’s a matter of capitalism or economics.
Something is off about humanity at a fundamental level.
I think part of this bias is due to their not having any actual domestic, critical understanding and thus can't apply the same analytical tools they would use to analyze, for eg, why Youtube Shorts/IG Reels/etc took off here
for example, some of the claims the author makes are just silly:
> Chinese consumers already had a high tolerance for slop and AI content fit naturally into this ecosystem without ever triggering an uncanny-valley reflex.
yeah buddy, this isn't due to some inherent acceptance of unreality, the massive volume of low-budget vertical 微短剧 (weiduanju) on Douyin and Kuaishou is driven by economic factors like digital ad-arbitrage [0]. most of these studies spend the vast majority of their budget on advertising to get views with an incredibly small amount reserved for actual production. and so thus you get 1) over-saturation of ads for consumers displacing traditional media and 2) a race-to-the-bottom of the uncanny valley for output
plus, the CAC cracks down a lot more on cruddy micro-dramas than US regulators do on shitty TikTok/YShorts/IG Reels content (ie not at all, ever)
> This basic message is inculcated throughout Chinese upbringing: push through and ignore physical discomfort, but attend to and be subject to social censure. It's okay to be buffeted by the elements, but if your grades are bad, you'll be too ashamed to face your parents.
yeah, again, this is blaming individual psychological conditioning and not systemic forces. like here, managing reputation has to do with high-stakes institutional checkpoints, not an irrational preference for perception over physical reality. when the 高考 (gaokao) and your 户口 (hukou) literally dictate whether or not you have access to housing, schools, and healthcare, you would of course focus your attention on grades and social standing. if there were other gatekeepers, the 'culture' would shift to focus there too
> Dark World thinking sees all virtue and kindness as pretense. Among many such tropes, a common derogatory trope is of women who act nice and innocent 白莲花 (white lotus) while being deceitful and manipulative on the inside. Chinese media creates trapped priors that people acting kind, altruistic, and pure are more likely to be evil."
yeah, so this happened because they dismantled the 铁饭碗 (tiefanwan) [1]. the state basically dismantled the kind of sub-utopian socialist give-everything social programming (that certain propagandized Western leftists seem to believe are still in place) and let the market fully take over. when your universal safety net is gone, extending trust or finances to others who are economically incentivized to compete with you becomes a sub-optimal play. it's why 内卷 (neijuan or involution) is a widely discoursed about issue in Chinese society
also, it's very funny to see 白莲花 (white lotus) used... seriously here? in Chinese social media, that's a satirical term and positions the bailianhua as sanctimonious. it's not aspirational, it's like calling someone a Karen here
[0] https://www.sixthtone.com/news/1014167
[1] https://www.routledge.com/The-Individualization-of-Chinese-S...
Europeans feel exactly like this as well. And as an American who's lived in Europe for decades, I couldn't agree more.
You may not owe cartels better, but you owe this community better if you're participating in it.
>Even among strains of nationalism, Chinese nationalism seems to be particularly chip-on-your-shoulder. My impression is that this kind of insecurity is less in your face, but still present, in younger Chinese today. It is concerning how much Chinese AI models catching up in the AI race is entangled with this national insecurity.
investment in domestic computing and foundation models is guided by industrial policy (科技自立自强) [0]. this isn't some kind of ego issue shared across 1+ billion people, it's literally domestic economic policy
> "My current hypothesis is that the locally optimal message to China is in the vein of “give us your autists who feel alienated by the monoculture,” but others may prefer a more conciliatory approach that directly appeals to the dominant culture."
my mans went to Slutcon and the flirt girl told him he wasn't attractive huh. this is some weird-ass Bay Area subcultural narcissism
the lived reality of Chinese neurodivergence is not stupid ass 'ackshually' nerd shit. it's, instead, families carrying a child through an educational system that offers minimal specialized scaffolding, navigating intense social stigma, and absorbing the terror of what happens to a dependent adult when their aging parents die. instead of seeing this population as a recruitment pool of "hyper-logical code monkeys" waiting to be drafted into an American AI safety crusade, just call them slurs instead - it has the same effect
also, to describe Chinese culture as 'monocultural' is just so ignorant. a migrant worker on a factory floor does not share the same culture as a tech worker at Baidu - and they do not share the same culture as a factory owner. there's also like a billion subcultural niches in China - lie flat 躺平 and letting it rot 摆烂 just to name two more popular ones. it's not as if the people there are stupid to knowing their culture is fucked and exploitative - the critique of 996 is widespread
[0] https://www.sciencedirect.com/science/article/pii/S209580992...
Social games that drive conformity.
Western reality tv, procedurals, game shows, soap operas and so on are incredibly samey after all. BUT the other factor is that creative endeavors in China take place under a censorship regime. Some topics are safer than others, so the mainstream tends to be quite formulaic and focused on fantasy, sci-fi, or pseudo historical shows.
If you know more than someone else does, that's great—but in that case please share some of what you know, so we can all learn, and please do it without resorting to putdowns or swipes.
I know that takes more time and energy, but in this way you make an enduring positive contribution instead of an ephemeral destructive one. Curious conversation is fragile; it can't withstand many kicks and blows.
https://hn.algolia.com/?dateRange=all&page=0&prefix=true&sor...
The issue is the kind of community we're trying to have here. In deciding what counts as a good contribution, that has to be the high order bit.
[editing - bear with me...]
The same is true of Chinese culture. China has an unbelievably diverse range of music, film, theater, etc... but what gets exported to a Western audience is not going to be That's kind of the point though. There are a ton of alternative underground music and art, but it's not popular and it's even less popular outside of the various countries from which it originates.
The same is true of Chinese culture. China has an unbelievably diverse range of music, film, theater, etc... but what gets exported to a Western audience is not going to be things like Beijing's underground punk and experimental noise scenes, Chinese shoegaze, Sichuan and Yunnan folk music, Mongolian throat-singing fused with metal, dozens of completely different regional opera traditions like Kunqu, Yue opera and Qinqiang, underground queer cinema, Sichuanese rap or contemporary art movements.
Westerners will mostly get the small slice of Chinese culture that is easiest to export, translate, market, and fit into familiar expectations about what "Chinese culture" is supposed to look like.