Today, I don't. I think it's probably a week's worth of work with AI and 1-2 developers.
However, enforcing this law is going to be tricky. How well does the peer to peer have to work? How about off line mode? How much support does the developer provide for community servers? Is it only a one-time support?
A developer going bankrupt isn't going to be able to do too much.
Imagine a Korean company makes a game and sells a license to an American company to publish their game. Eventually the American company shuts down and is now forced to release the playable game.
This version of the game is now going to compete with the Korean version of the game, because nobody will be enforcing the region lock anymore.
Your reaction to this is probably "great, screw region locking!" but judging by how some of these Korean games do in the west it's entirely possible that they will forego a global/American release altogether. They make most of their money from the Korean or Chinese region. Why would they risk that for a smaller global region?
Personally, I wouldn't mind this, but I can certainly see how this could backfire and keep some of the eastern games exclusively eastern.
It’s never like the server becomes lost media when they shut down services. Most development studios have an easy way to run the server stack locally for development anyway. The problem is forcing someone to actually spend several hours doing packaging to get it deployable and the general reluctance of companies to “lose control” of what they have. There are many alternate servers that have existed that developers have intentionally axed like AlterIWNet because of control reasons, not because the complete solution already existed.
Allowing your game to not require an internet connection or checking in with servers from the get go is the way. Easy peasy.
>A developer going bankrupt isn't going to be able to do too much.
Banktupcy at this scale simply means ownership of the IP and game changes to someone else. So they'd be on the hook if they want to operate in any jurisdiction with such a law.
If we want to get serious about this there need to be exceptions. You can't force a one man shop to sing and dance the same rule set you would apply to all of Microsoft. At least, if your goal isn't to kill indie gaming and further expand the moats of the very people who would be inclined to lobby for this kind of moat expansion legislation.
It would actually be beneficial for end-user software in general.
Well, there is no actual bill text because this idiot is more interested in announcing what "he will introduce" than actually writing legislation.
But let's assume it has a hard requirement that a game work offline. Let's say an indie developer releases something where some component that fails when some random server stops responding. If the law or regulation is poorly written, that could create liability for them. Hell, it could create an opening through which well-funded studies could target indie competitors.
You are signing up for a life sentence of maintenance. No thanks.
More realistic would be improving copyright law. I think it'd be reasonable to state that copyright lasts 20 years from the first 'transfer' (sell, licensing, etc) of a creation. 20 years is long enough to fully monetize, but also short enough to really enable some interesting acceleration/derivation in society. For instance just about now XBox 360 games would be coming out of copyright protection. That seems perfectly reasonable, especially in the era of LLMs where 'sidestepping' copyright is going to be increasingly trivial anyhow.
FYI the IoT wave was firmly industry driven.
Do you think it's possible we could simply sell physical copies on physical media and deal with the necessity to build new products every so often?
You need to somehow increase the cost of doing the bad thing, and then the natural equilibrium will return to doing the good thing. It's like whenever anyone raises taxes or proposes regulation, someone out there cries about how millionaires or landlords or whoever will all leave. But that rarely happens, if ever, because it's rare that the regulation actually makes something so unprofitable as to not be worth doing, usually it just makes it somewhat less profitable than doing it the unrestricted way.
History's disproven the notion that easy copying means constantly depreciating prices. The premise is flawed unless something so fundamentally different about piracy in 2026 is happening compared to 2000.
All that needs to be done is to produce a game that will remain playable if the company shuts down. Simple as that. It doesn't need to phone home anywhere, it doesn't require an internet connection, it just... turns on and plays.
At that point, any company can just fold whenever they'd like without having to do anything in this area, and everyone who bought the game can breathe easily, double-click their icon and start playing while the publisher's employees go look for other jobs.
Like how can the game industry thrive by turning AAA dollars into GAME PASS dimes? Netflix and Spotify make money at the top but not for artists. Netflix was part of a ‘golden age’ when there was fierce competition to make prestige TV at the expense of investors but that party is over.
I can believe subscriptions are win win for adobe and some of its customers, I mean adobe does get to fund continuous improvements in their products and it is certainly cheaper to keep up with the latest CC than it was before though some might want the option of paying a fortune for just one version once.
I think they are fashionable because investors like ‘seeing like a bank’ and it is so easy to put a valuation on a steady cash stream from a customer.
I don't think it matters even one iota how much more profitable it is to do something explicitly bad for consumers, explicitly to ensure you extract more profit from those consumers. McDonald's can beg to put sawdust in their burgers, and dairy providers can beg to put chalk and other whiteners in their milk, and game devs can beg to retain full ownership of everything they rent out AND be able to change the thing you've rented without notice or recourse.
All of that is profitable. It's also all desperately in need of regulation.
Otherwise yeah, you'd be able to buy most stuff on GoG for pennies by now.
[1] - https://support.gog.com/hc/en-us/articles/212632089-GOG-User...
This take, and OP's, both feel like they're ignoring nearly half a century of how games have functioned in favor of the over-engineered industry of the past ~15 years. Again, as I said in my first response I'm maybe speaking out of ignorance here, but why are we acting like it's incredibly difficult to do something we were very capable of doing for a very long time, and for less effort than what we put in now?
They deliberately chose to design against it, because they discovered they can extract a lot more money by offering paid Progression Boosts so that players can more-quickly acquire Artificially Scarce Reward, or selling additional draws of a virtual lottery.
So it's a business thing. In terms of technology, it's the opposite: Offline play is more feasible for more kinds of games than ever before, since local AI (of various types) has improved, reducing the need to recruit a human counterpart over the internet.
I'm just surprised that folk on a tech-focused forum are putting forth such short-sighted technical constraints as an example of why this sort of legislation won't work.
Providing an offline mode doesn’t imply continued maintenance.
There should be a liability cap for developers under a revenue ceiling and an exemption for free games. An indie developer shouldn't be worried about getting sued because a component of their game wasn't properly audited for offline use.
How does a revenue cap “defend multi-million corporations”?
Also, your premise seems wrong [1]. And plenty of offline games have online PVP functionality that I can absolutely see a small developer forgetting to configure in a way that has zero external dependencies.
Sure. Let's say you bungle that. Should it cost you your home? What if you die before you finish that work. Should your family lose its estate?
More trivially, what if you were a muppet and put a bunch of critical stuff in your environment, forgot to export that, and then shut everything down to deal with, idk, an illness or a child or any of the other stuff that might cause someone just making stuff for fun to change directions.
Says what?
A simple legal requirement isn’t magically safe harbored.
Sure. Then just come out and say only large corporations can make a living from making games anymore. I don’t think they can do that because they haven’t thought any of this out, they’re just putting out press releases in campaign season because this isn’t actually a priority.
Nothing has been introduced–he has "announced he will introduce." It's still silly-season bluster.
Yep, he's running for reelection.
One of the big issues with DRM is that it's not legal in the US to break the digital lock even if the work is in the public domain, so that needs to be accounted for as well.
We already have reverse engineering tools, and the vast majority of 20 year old media isn't producing new revenue.
Will never ever happen. Disney alone would spend billions to stop any meaningful copyright reforms
If you look back at what was created in the past, 30 years seems like an absolute minimum, 50 years seems about right -- perhaps with a registration requirement for the full term so that works with an unclear publication date and ownership can be easily traced. That would mean the film Logan's Run would just be leaving copyright protection now.
For context, I believe in the UK, there is a 50-year term for broadcasts, computer-generated works, Crown Copyright (125 years or 50 from first commercial publication if within 75 years of creation), and certain classes of films. There's a schedule here: https://www.gov.uk/government/publications/copyright-notice-...
Expanding exceptions to copyright law would be nice for different reasons, but custom servers and emulation were already legal before companies figured out they could put arbitrarily difficult roadblocks in the way of them.
Also while we're here, DMCA 512 was also a piece of horseshit, albeit less because it curtailed online freedom and more because it isn't a good way to adjudicate low-stakes copyright claims.
He hasn't introduced squat. I complained about this two days ago [1][2]. It's incredibly disingenuous to pretend to announce legislation while keeping the text–possibly unwritten–secret.
(Torres is running for reëlection as a Democrat in a solid-D district [3].)
[1] https://news.ycombinator.com/item?id=50123852
Everyone is pushing for the rights of keeping the game alive after support ends, but in the move to digital I'm much more concerned with the loss of second hand markets.
Historically, my concern hasn't been running a 2005 game in 2025. Emulation tends to find ways. My concern is that this generation I was able to game at about 10 bucks per game (buying for 30 selling for 20 after I'm done, roughly) and the next generation is shaping at 100/game. That's a 10x increase in practice for the hobby.
The Legend of Zelda in 1987 was $50. Adjusted for inflation it would cost $151 today.
Diablo 2 released in 1999 at $50. Today that would be $101.
Diablo 3 released in 2012 at $60. Today that would be $88.
Diablo 4 released in 2023 at $70. Even this would be $77 today, despite being only 3 years ago.
Zelda Tears of the Kingdom released in 2023 for $70.
I do agree that the lack of a secondary market is concerning, but I think that in practice subscription services, piracy, and F2P games fulfill the niche of low cost gaming (for now). Don't know what the future holds though.
F2P is not an alternative because (good) games are not a commodity, each piece is individually valuable (otherwise why conserve?). Subscription services are just enshittification waiting to happen.
Piracy is actually an alternative, but we all lose if consumers are pushed to that.
The lack of secondary market is not only a concern for low cost gamers, it also pushes for monopolies in several different dimensions. For example, you're less likely to move platforms if you can't resell your library. You're also less likely to give a chance to a less known dev if you can't resell in case you don't like it.
It's like comparing a price of a modern car to a 1920's Rolls Royce and saying "eh, they're cheap, they're less than 500.000$, why are you complaining?"
One senator makes a press release saying that he plans to introduce a bill protecting game ownership.
It's not clear if this bill has any chance of being voted in - and even if it does, we have no idea what is actually in the bill.
> legislation aims to protect consumers by directing the FTC to establish regulations
Do your job, congress!
And maybe a carveout if your licensing gets pulled.
I really want copyright to stay the hell out of the way of just letting players reverse engineer old games, but it's an international thing at this point
This is a common excuse publishers use to yank games, so if you do this the bill would be crippled.
We have a right to own our videogame, there is absolutely no necessity to have an exclusion, make the server open source if you want to shutdown the server
"The right to own games" is just an entitlement. I don't see an argument for where this originates; it's entitlement to someone else's effort, or effectively mandating only selling games with that extra effort bundled in.
I don't think it's fair to expect hobby projects or small studios to be legally obligated to carry this, and open sourcing it because you sold it once is a big jump. Not all binaries are simple to ship, either.
I'm fine with the Californian law where they mandate marking it as a license and not a purchase, but a flat fee for minimum 10 years service I think is reasonable.
https://www.stopkillinggames.com/en
At least, what I'm reading here sounds very similar.
Don't they understand e-waste and how is it piling up?
along with everything else introduced that doesn’t go up for vote yet
Either way: even if it's never put to a vote, having the bill as a basis to build on for the next House will be something, at least. Better than nothing (which we are increasingly getting used to).
"Are you selling the games? Here are your new duties and obligations, and tomorrow you will get even more, get ready to publish source code or something! What, your game only on paid subscription? Guess what? Keep doing what you are doing, that bill has nothing to do with you!"
Video games are definitely an essential need for the modern leftist internet incel, so to allow capitalists to risk time and money producing games you can choose to voluntarily play, and then allow them to charge rents in exchange for you voluntarily playing their games....well that's the definition of criminality!
The government should seize the video game means of production and all video games should be government produced. Quality will definitely go up, not down, the more the government starts meddling in this highly essential market. There's zero downsides to weaponizing the guys with guns to write laws that disincentivize the creation of the thing you want created, rent control works amazing every time.
This bill essentially can be distilled down to: "Companies are required to give me whatever I want for whatever price I want and they have to give me customer support forever."
Will just result in every game moving to a Saas model. And then a bunch of braindead people will be complaining about that as if the thing they voted for didn't cause that shift, requiring another piece of legislation that just kills the smaller publishers altogether.
The fact that I'm "buying" a license holds as much weight in this issue as the countless eulas and privacy policies i supposedly agreed to.
We "endusers" live in a world were we are compelled, yes compelled, to enter legal agreements to do anything, and where these terms are dictated and changed unilaterally. Terms like these should and are meaningless yo everyone except for courts that foolishly hold them valid. For everything else, they should and are ignored.
To disrupt this natural tendency, you need an external influence which is not beholden to this scoring function. A good example (but not the only one) of such an external influence would be government regulations.
You could try to influence the cycle as consumers, but there are two significant roadblocks for this approach. Firstly, consumers are highly decentralized, and heterogeneous in their beliefs and actions. Sure, _you_ may understand and believe that a licensing model is bad, but how about the billions of others who are less politically engaged? The second is that consumers operate largely in the same profit driven system as the corporations we're trying to change. It takes a very principled individual to buy gta 6 at a 50% markup just so they can -own- the game rather than just rent it indefinitely.
I don't know of any instances in history of consumers making any meaningful impact in this way. Tons of examples of government regulation effecting meaningful change though.
Why would you just give money to an entity which is bound by bad laws, no matter how good it is right now?
Does an LLC shield this? Do you have to carry the perpetual 25% on your balance sheet indefinitely?
Most indie games will have no problems with this either, so I am not concerned.
Clearly the market hasn't worked well for the consumer, so it's time to set laws.
And the legal basis is completely different, copyrights are created as an artificial right in the Copyright Clause, given for a limited time and purpose. They are not property in the traditional sense and Congress has absolute power over them.
not that has stopped the US doing something.
The fact is, copyright extensions have served corporate interests well and is likely to continue to get extended even more, and more draconian, given how many decompilation and recomps have been done recently.
The incumbents would probably file lawsuits, but would they win?
If Congress can set copyright terms retroactively, why can't they set copyright terms retroactively?
What happens if they do the thing where you have to file for a renewal every year and the first 14 years are free and automatic, but then the renewal fee starts at $1000 and doubles for every year over 14?
> violate treaties the US has signed.
This is just an excuse the industry uses after bribing their way into some documents that can be renegotiated at any time. The US has been the ones pushing for this nonsense to begin with, so if they stopped, most other countries would be happy to enter into a different treaty. And the remaining ones would be the ones with the most to lose if they were the only ones to not sign onto the new agreement at the point when the US and most others pull out of the corrupt one.
It's the dumbest and most obvious weakness of our system of government and it will never be fixed.
My understanding is that the Library of Congress has the authority to designate situations in which it is legal to remove DRM on electronic copies of books you have purchased, such as to run it through a TTS program for those that are visually impaired. Does this not apply to other art mediums?
Bad laws passed by the elite to the elite for the benefit of the elite is the real problem. Why should I respect that?
Just because it's a law?! That's the poor flimsy justification?
This sounds like fairy dust for this use case. You’re playing a real time game where latency matters, and you’re running all that latency sensitive traffic through a network of relays running on altruism - each hop would introduce latency and you’d deal with contention in the network.
The play experience would be awful.
This sounds counter intuitive, but the added friction is THE WHY they don't want to call it a rental on paper, only on appeals.
The same applies to concerts and weekend club: This is an event with a defined time limit.
You call a car leasing a leasing, you don't call it a sale with a small print.
WoW launched in an essentially unfinished state. Molten Core, the first 40-man raid, didn't have a loot table. I'm not sure it was even accessible on launch day. And when it did get a loot table, it had placeholder graphics for the tier 1 set.
This was fine: it would take months for players to be able to tackle end-game content, so the game didn't need to launch with it all ready to go. But a law requiring Blizzard to keep a launch-day WoW available wouldn't be especially satisfying.
Even if you changed it to be "its full functional state" or something similar, that gets weird. After Molten Core was BWL, which you couldn't reach on launch. And so on and so forth. WoW changes a ton over an expansion, and each expansion brings even bigger changes (do you play pre-Cata or post?). Do we require Blizzard to keep available each and every patch version? Hotfix version? How do players decide which they want to play? I really enjoyed the Argent Tournament, but I bet most preferred actually reaching ICC (which itself had a bunch of time locks before you could reach Arthas, himself).
[1]: Even beyond everything outlined, WoW gets weird when you consider Classic and now Forever.
An ever-evolving game with properties of a SaaS would likely not exist under this new law.
Blizzard already knew how to build self-contained products with self-contained expansions even before WoW was released. StarCraft was the original game and StarCraft Broodwar was the expansion. It will affect game release cycles and properties of what you get with the game, but that's seems like part of the point of the legislation.
For example, massive expansion of free to play games with cosmetic microtransactions.
When the game ends... what is it that you've bought? The cosmetics, you never bought the game. If they give you an offline "shooting range" mode where you can wander the maps in the cosmetics you bought, have they satisfied the requirements? Again, you never bought the game you bought the cosmetics.
A step farther, loot drops in loot boxes that take time to unlock, on the order of days, weeks or months. You buy something to accelerate the unlock process down to hours. What have you bought? Just a faster unlock of something you'd have received anyway. So what are you owed when the game goes end of life? You didn't buy the game, you didn't buy the contents of the lootbox.
Problem is with “purchase” imho.
Why can’t I do all those things with a copy of a game I bought?
You are comparing products that aren’t equivalent. If I “buy” a book on Kindle, that book might have restrictions (natural or artificial) that don’t apply to a physical book.
The product is what it is. If you don’t like it don’t buy it. If you bought a physical Xbox disc 20 years ago, you wouldn’t expect to be able to use it on PlayStation.
Note: I'll use US law here.
There's an important legal difference between books and CDs, which I'll get into at the end of this. For now let us just look talk about books.
> I can keep that copy forever, sell it, lend it, donate it, give it away, or let my kids inherit it
The works because the way most of us acquire copies of books doesn't involve entering into any kind of contractual arrangement with the copyright holder, so as long as what we want to do does not violate the copyright owner's copyright rights we can do anything with that book that we'd be legally allowed to do with a similar physical object (say a blank notebook).
Copyright law does give the copyright owner the exclusive right to distribute copies but there is an exception, the first sale doctrine, that says the owner of a particular lawfully made copy does not need permission from the copyright owner to "sell or otherwise dispose of the possession of that copy".
If we bought our books through some channel where they could require us to agree to a contract in order to be allowed to buy they could include restrictions on what you can do with the copy, just like game companies do.
It would be hard to enforce since they would have to do it by suing people who violate the contract which would be impractical almost all the time.
Compare to digital goods, especially executable digital goods, where they can make it so using your copy requires checking in with a server of theirs which can refuse to let you use the thing if it thinks whoever bought it has broken the contract.
The important legal difference between books and CDs is that exception to the first sale doctrine, the one that says you can "sell or otherwise dispose of the possession of that copy" without copyright owner permissions does not fully apply to CDs, has an exception to the exception.
The exception to the exception says that for copies of computer programs and musical sound recordings the outer exception does not apply to disposing of possession by "rental, lease, or lending, or by any other act or practice in the nature of rental, lease, or lending" when it is "for the purposes of direct or indirect commercial advantage". So for CDs if you want to lend them make sure it is not for commercial advantage.
BTW, the exception to the exception also has an exception, making it not apply to embedded systems and console games. (There are also exceptions for libraries).
In the upcoming lawsuit, Adobe is either about to destroy the AI industry by collecting massive damages, or Anthropic is about to destroy the software industry by effectively making software non-copyrightable. There's no other outcome.
And making your software SaaS won't help because the AI tools can infer a server-side implementation based on enough examples of behaviour.
On the recent WAN show LTT said they tried the recent Photoshop clones and they were buggy, feature missing messes. If they were truly reverse engineer decompiles (minus needing a subscription) they would work just as well. But they don't so they're not.
Are they gonna sue the user's power company because they supplied power for a nefarious activity without making the human agree to use it for innocent purposes only?
Wow, what an interesting binary when 80% of all cases end in settlement.
I've reverse engineered multiple proprietary things around the house thanks to a local Qwen-3.8 running under Strata and Hermes.
Some have been USB, some have been BT, and some were android binaries. I explain what's going on, how they should work, investigate, and write compatibility layers or hack the binaries to do my thing.
And right now, we're seeing flagship consoles getting emulators and compatibility layers to run the games on computers. And those are machine assisted as well.
Just go look at how bad Sony fucked up with 'no ownership of PS5 games' heh. Everybody's attacking and downloading and pirating PS5. LLM tooling makes it not just doable, but actually easy.
Consider, there are existing laws against libel which were written before video screens existed. Did those laws encounter insurmountable, analogous circumvention issues when the printed word was no longer "printed" with ink?
This is actually true of a large market segment.
10 years seems closer to obsolescence, and that's for productivity software.
How much money does George Lucas need, I guess he’d only have a networth of a few hundred million vs a few billion.
I make music and buy tons of it. I’ve never been like, yo Nas is coming out with a new project, I’ll just wait 20 years to buy it on sale.
Right now if I want to sample a song made 50 years ago I still have to pay thousands to license it even if everyone involved has long since left.
Most of the money goes to some massive label.
Likewise, I don’t think Nas would struggle if his older albums were made public domain.
He’s still the only one who can perform the tracks live. He can still make new music, like the 6 projects he made in the last few years.
Sony/Columbia would only stop profiting off the deal they had an 18 year old sign decades ago.
That's the point. Someone finds something not successful, sees that they could make a lot of money off it, takes it for their own, has copyright over their new content. The labels you're talking about would gladly just mine what was released ${term}+1 years ago.
The point is that everything is copyrighted by default, unless you release it into the public domain.
> Right now if I want to sample a song made 50 years ago I still have to pay thousands to license it even if everyone involved has long since left.
And that's right. Why should someone else get to make money off someone else's work without compensating them for it, if they haven't released it to the public domain?
You're assuming that copyright protects the big labels -- it protects your creations too. The most famous case of this is Charles Dickens: https://foleyhoag.com/news-and-insights/blogs/making-your-ma...
This will happen regardless. We've already built a massive wealth of recordings over the last 100 years that, if the law is followed, will eventually become available for free use. Unless the idea is to lock it up forever in order to keep present artists from having to compete?
But 20+ year old culture largely loses relevance. Even in a world where people pay for access to everything via streaming, the most popular music from 2006 is basically unknown to gen alpha. Only the very coolest people are still listening to Jibbs' masterpiece, "Chain Hang Low." In fact, one might argue that if it did cause people to retain their connection to previous culture, that such "mining" would be a positive (indeed, Jibbs could not have produced what he did without standing on the shoulders of his predecessors).
Pretty hard to send money to the afterlife.
50 years after the album came out means that most of the original artists aren’t going to be here.
With LLMs training on everyone’s copyrighted material anyway we’ll need to rethink copyright anyway.
A lot of media is defacto lost anyway as the rights holders refuse to republish it.
A 20 year period makes it much easier to save this stuff.
“Someone” might, but most people won’t. Do you think studios are going to announce the next blockbuster and most people will be like “eh, I’ll just wait 20 years, maybe I’ll have a kid and raise them until adulthood to pass the time”?
Portal is going to be 20 next year. I bought Portal 1 and 2 for a couple of bucks like a decade ago already.
I’d even say 20 years default is two long. Especially because there are things which are just abandoned. Make it shorter and add limited options to renew for limited time.
That is a laughable fantasy. It protects those with money and legal resources to enforce it, and that’s it.
I’m reminded of the case where some late night show played a video they found online as part of a segment, then later were able to copyright strike the original video. The original creator, being an individual, had no recourse.
> A studio can't take a 20 year old story and make a blockbuster out of it without licensing the story.
Again, laughable. Disney has done it but was never sued for being too big. It was done to Harlan Ellison too (who did spend years fighting it and won). Ripoffs happens frequently, you don’t hear about them that much precisely because studios in general know to rip off those without the means to put up a fight.
if people can buy the game with ownership, then how does subscription like software adobe is exist ?????
People were pointing out the issues with DRM 20+ years ago, but it was largely a theoretical concern at the time for most people. Now it's more real in exactly the way people said it would be (oops, your new computer doesn't have a CD drive, and newer windows doesn't allow the old DRM drivers anyway so your old games are unusable. Better buy our new digital version again. Oops we've decided to remove your access to the new digital version. No refunds.) for them, so the idea of passing laws against it is gaining popularity.
"To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."
Unlike freedom of speech, this right is intended to be limited in scope and duration. So let’s promote that progress! While we’re at it, we can reduce the length of copyright altogether.
Frankly this bill should be extended to cover similar situations in business and consumer software, etc. Abandonware has always been a legally murky area.
What I care about is consumers, not the protectionist racket.
If they don't like it, well there are tons of indie game studios who are taking advantage of the lastest technology to build good games.
So you CAN pass your collection over to your heirs on an hard disk.
Whether this is legal it’s a different matter.
GOG is very clear on this: you CANNOT provide the installers to anybody, those are for yourself only. It is easier, for sure.
It's still a terrible situation that should be solved legally.
"Your GOG account and GOG content are personal to you and cannot be shared with, sold, gifted or transferred to anyone else."
It may not be legal, as I said.
It’s entirely another to force them or restrict them from engaging in transactions between consenting parties that do not infringe on a third party.
If we want to talk about "consenting parties" well me decompiling your code and selling it to a 3rd party is consensus, and infringing on IP rights.
The fact that they weaponize the government against me sharing code is a handout given to a group that doesn't deserve it.
Now, moving a steam account into a trust might be a breach, if they care. Even using a trust to buy a game might also be a violation of some form, perhaps, buried in the toc.
But the trust itself is a legal entity and it can own things. Just because the people behind the trust changes doesn't mean it was a transfer on the public side of the trust.
> Now, moving a steam account into a trust might be a breach
Morever, it can't happen. Accounts are non-transferrable.
> Even using a trust to buy a game might also be a violation of some form, perhaps, buried in the toc.
Right at the top, actually. GOG, not Steam: "This license is for your personal use."